The Bilāl Movie is actually a Sucka-Emcee Production: Bilāl ibn-Rabāh (May Allah be pleased with him) actually was Arab via his Father Rabāh, from Banī-Jumah, one of the Families of Quraysh, making Bilāl Tribally-Related to Muhammad (Peace be upon him).(The Sealed-Nectar) The mere fact that Rabāh is neither casted, mentioned, nor even referenced directly/by Name within the Film truly says a lot, as per the Agenda of the Producers of this Film: to do exactly what the Pagan Arabs did to Bilāl, which was to deny him his Arabness & replace it with Blackness. I’ll speak more on this-The Reason why Blackness was imposed upon Bilāl is because as a Slave (prior to his Liberation) he had 0-Rights, not even the Right to lay claim to his own Paternal Arab-Genealogy. This, of course, was due to the fact that the Arabs possessed immense disdain for Abyssinia/Ancient-Ethiopia & its People, resulting from the generational Military-Conflicts between them, based upon religio-political & socio-economic dominance in the region, which of course was imposed upon Bilāl, by virtue of him having an Abyssinian-Mother.
The Political-Discord between the Arabs & Abyssinians occured as a result of the Abyssinians of Yemen, then a Colony of Abyssinia, wanting to divert Commerce from al-Makkah to Yemen via making a Church named al-Qullays: a Mock-Ka`bah, to draw Pilgrims to make al-Hajj/Pilgrimage in Yemen as opposed to al-Makkah. Once the Quraysh learned of this, a Man went to Yemen and desecrated this Church, infuriating the People of Yemen, thereby inciting War…this became known as the War of the Elephant. After the War/Year of the Elephant, which an Abyssinian-Army with an Elephant-Cavalry failed to invade/conquer al-Makkah and were defeated (resulting from Allah casting upon them Flocks of Birds dropping Sijjīl/Firery-Stones [Noble-Qur’ān: Chpt.105; at-Tabarī; as-Suyūtī]), in retaliation, the Arabs of al-Makkah: the Quraysh & their many Allies in turn invaded Yemen. When this happened, countless Abyssinians were captured by the Arabs, including the Mother of Bilāl, Hammāmah, of Abyssinian-Royalty, and Human-Trafficked to al-Makkah-These People became Slaves.(ibn-Ishāq, at-Tabarī, as-Suyūtī) And, this is actually why Bilāl ibn-Rabāh was referred to in a disrespectful way, by Abī-Dharr al-Ghifārī (May Allah be pleased with him)…by the way: the Narration never textually states that he called Bilāl “Son of a Black-Woman”…that was a Commentative Add-On, as is commonly told concerning this Story. This is exclusively based upon Scholastic-Conjecture on part of al-Bukhārī, which this Add-On exists within his Hadīth-Collection of Sahīh-il-Bukhārī.(Fath-ul-Bārī, ibn-Hajr) Ironically, even Abā-Dharr al-Ghifārī is described as being a “Black-Man”, relative to his Dark-Skin.(ibn-Ishāq, at-Tabarī, as-Suyūtī, Muslim, ibn-Sa`d, adh-Dhahabī, http://www.alajamwalarab.com)
This Film also (subliminally) simply is a Muslim-Version of 12-Years A Slave: it reinforces Subserviance, Destitution, Acceptance of Slave-Culture, etc. Why is it that Bilāl is the only “Black-Companion” highlighted/depicted in Film, Narrative, etc. as “the Slave/Ex-Slave”?!!! Why is it that none of Bilāl’s Military/Statesmanhood Accomplishments are ever highlighted/detailed in Film/Narrative?!!! For example: did you know that Bilāl participated in all the known Major-Battles during the Lifetime of Muhammad (Peace be upon him); did you know that Bilāl was the 1st Minister of Bayt-il-Māl/Secretary of the Islāmic-Treasury: the Chief-Administrator responsible for the collection of az-Zakāh/Taxation & distribution of as-Sadaqah/Philanthropy?!!!(Battles Of The Prophet, Lives Of The Companions, at-Tabarī, as-Suyūtī)
The only Reason why Bilāl is still inaccurately portrayed as being “Black” is because he was once a Slave. Had he always been Free, no one would’ve ever attributed “Blackness” to Bilāl. Let’s actually take a look at what the Skin-Complexion of Bilāl actually was. According to Ahādīth/Narrations, recorded in various Collections: Bilāl really wasn’t any “Darker/Blacker” than any other Muslim/Non Muslim Arabs of his Lifetime, as per Skin-Complexion. In fact, it was common-place for Arabs to boast & laude their Dark-Complexions & ridicule the Complexions of Non-Arabs described as al-Humrah (Reddish-White), as well as al-Asfar (Yellowish-White).(Lisān-ul`Arab: Lexicon of the Arabic-Language, ibn-Manzhūr) There also various Other-Colors which the Arabs would use to describe one another as per DarkSkin, like al-Akhdhar/Green…do you have any Idea how Dark someone’s Skin-Complexion has to be in order to be called “Green”?!!! I’ve literally seen People so Dark that they have a Green-Tint to their Skin-Complexions. However, ironically, almost every single portrayal of him in Literature, Film, etc. depicts him as “Shaka Zulu Black” and/or the Darkest-Person around. Like, in the Film “The Message” for example…the Producers of this Film (in both the Hollywood & Arab Versions) purposely casted the Darkest/Blackest Human-Being they could find to portray Bilāl on Screen…the Question is why?!!! Simple, to continue the Pseudo-Narrative of equating Blackness to Slavery & Servitude. Even in the Hollywood version of “The Message”, Bilāl is emphatically called “Black-Bilāl”…Word4Word…that alone should tell you something.
The Pseudo-Narrative of Bilāl is directly paralleled with the Pseudo-Narrative of Sally Hemings: the only Reasons why either of them are ethno-historically falsely-portrayed as being “Black” is because they were both Born-Slaves & both their Mothers were Black (Hammāmah, Betty Hemings: even Betty Hemings herself had a European-Father but cause she was a Slave she was considered “Black”). The Father, Paternal-Grandfather, Paternal Great-Grandfather of Sally Hemings were all White-Men/Slave-Owners. Her Slave-Owner, Thomas Jefferson (who essentially used her as a Sex-Slave) was actually her Brother-In-Law (Jefferson’s Wife, Martha Wayles & Sally Hemings had the same Father: John Wayles).(at-Tabarī; Hayāt-us-Sahābah; Virginia House of Burgesses: British Coastal Colonial Law of Slavery, 1660)
Muslim Matters actually published a Review of the Movie.(https://muslimmatters.org/2018/02/03/5-things-to-know-about-the-movie-before-watching-it-review-of-bilal-a-new-breed-of-hero/) Their Film-Commentary of Bilāl not only reinforces my Point, as per the continuation of a Pseudo-Narrrative, predicated upon al-`Asabiyyah/Xenophobia, but also the Major-Themes of Islām aren’t even highlighted. Once again, the important Narrative of Bilāl has been shamefully compromised, at the expense of wanting to capitalize on “Blackness” being at the forefront of World/US Politics via Libya, Police-Brutality, Racial-Profiling, Human-Trafficking, etc.