Tag Archives: Art

MAKE MUSLIM GREAT AGAIN

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Muslims round da World sufferin…

America bullyin us and it’s hurtin…

 

Knowin this damages the Soul…

Enigma it is to hold da Hot-Coal…

 

Martyrs are made all day & everyday…

Useless Laws which changes every way…

 

Salvation not hopeless though…

Life is struggle so that we grow…

 

Islām is the cure for all Humanity’s Ills…

Making lives better is what Allah wills…

 

Giving Guidance: the Muslim’s Motto…

Revelation being what we love & follow…

 

Even when it’s tough, we never cower…

Allah guarantees that He’s our Protector…

 

Thunder will never shatter the Mountain…

Any opposition: we will stay grounded…

 

Gratitude for Ease after Hardship…

All we do is fight back: never quit…

 

I won’t be made sad or blue…

Neither must any of you…

 

Gareth Bryant/2018

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The Bilal Movie: Why it still reinforces the Slave-Narrative of Black-People.

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The Bilāl Movie is actually a Sucka-Emcee Production: Bilāl ibn-Rabāh (May Allah be pleased with him) actually was Arab via his Father Rabāh, from Banī-Jumah, one of the Families of Quraysh, making Bilāl Tribally-Related to Muhammad (Peace be upon him).(The Sealed-Nectar) The mere fact that Rabāh is neither casted, mentioned, nor even referenced in the Film, truly says a lot as per the Agenda of the Producers of this Film: to do exactly what the Pagan Arabs did to Bilāl, which was to deny him his Arabness & replace it with Blackness. I’ll speak more on this-The Reason why Blackness was imposed upon Bilāl is because as a Slave (prior to his Liberation) he had 0-Rights, not even the Right to lay claim to his own Paternal Arab-Genealogy. This, of course, was due to the fact that the Arabs possessed immense disdain for Abyssinia/Ancient-Ethiopia & its People, resulting from the generational Military-Conflicts between them, based upon religio-political & socio-economic dominance in the region, which of course was imposed upon Bilāl, by virtue of him having an Abyssinian-Mother.

The Political-Discord between the Arabs & Abyssinians occured as a result of the Abyssinians of Yemen, then a Colony of Abyssinia, wanting to divert Commerce from al-Makkah to Yemen via making a Church named al-Qullays: a Mock-Kabah, to draw Pilgrims to make al-Hajj/Pilgrimage in Yemen as opposed to al-Makkah. Once the Quraysh learned of this, a Man went to Yemen and desecrated this Church, infuriating the People of Yemen, thereby inciting War…this became known as the War of the Elephant. After the War/Year of the Elephant, which an Abyssinian-Army with an Elephant-Cavalry failed to invade/conquer al-Makkah and were defeated (resulting from Allah casting upon them Flocks of Birds dropping Sijjīl/Firery-Stones [Noble-Qur’ān: Chpt.105; at-Tabarī; as-Suyūtī]), in retaliation, the Arabs of al-Makkah: the Quraysh & their many Allies in turn invaded Yemen. When this happened, countless Abyssinians were captured by the Arabs, including the Mother of Bilāl, Hammāmah, of Abyssinian-Royalty, and Human-Trafficked to al-Makkah-These People became Slaves.(ibn-Ishāq, at-Tabarī, as-Suyūtī) And, this is actually why Bilāl ibn-Rabāh was referred to in a disrespectful way, by Abī-Dharr al-Ghifārī (May Allah be pleased with him)…by the way: the Narration never textually states that he called Bilāl “Son of a Black-Woman”…that was a Commentative Add-On, as is commonly told concerning this Story. This is exclusively based upon Scholastic-Conjecture on part of al-Bukhārī, which this Add-On exists within his Hadīth-Collection Sahīh-ul-Bukhārī.(Fath-ul-Bārī) Ironically, even Abū-Dharr al-Ghifārī is described as being Darkskinned.(ibn-Ishāq, at-Tabarī, as-Suyūtī, Muslim, ibn-Sa`d, adh-Dhahabī, http://www.alajamwalarab.com)

This Film also (subliminally) simply is a Muslim-Version of 12-Years A Slave: it reinforces Subserviance, Destitution, Acceptance of Slave-Culture, etc. Why is it that Bilāl is the only “Black-Companion” highlighted/depicted in Film, Narrative, etc. as “the Slave/Ex-Slave”?!!! Why is it that none of Bilāl’s Military/Statesmanhood Accomplishments are ever highlighted/detailed in Film/Narrative?!!! For example: did you know that Bilāl participated in all the known Major-Battles during the Lifetime of Muhammad (Peace be upon him); did you know that Bilāl was the 1st Minister of Bayt-il-Māl/Secretary of the Islāmic-Treasury: the Chief-Administrator responsible for the collection of az-Zakāh/Taxation & distribution of as-Sadaqah/Philanthropy?!!!(Battles Of The Prophet, Lives Of The Companions, at-Tabarī, as-Suyūtī)

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The only Reason why Bilāl is still inaccurately portrayed as being “Black” is because he was once a Slave. Had he always been Free, no one would’ve ever attributed “Blackness” to Bilāl. Let’s actually take a look at what the Skin-Complexion of Bilāl actually was. According to Ahādīth/Narrations, recorded in various Collections: Bilāl really wasn’t any darker than any other Muslim/Non Muslim Arabs of his Lifetime. In fact, it was common-place for Arabs to boast & laude their Dark-Complexions & ridicule the Complexions of Non-Arabs described as al-Humrah (Reddish-White).(Lisān-ul`Arab: Lexicon of the Arabic-Language, ibn-Manzhūr) However, ironically, almost every single portrayal of him in Literature, Film, etc. depicts him as “Shaka Zulu Black” and/or the Darkest-Person around. Like, in the Film “The Message” for example…the Producers of this Film (in both the Hollywood & Arab Versions) purposely casted the Darkest/Blackest Human-Being they could find to portray Bilāl on Screen…the Question is why?!!! Simple, to continue the Pseudo-Narrative of equating Blackness to Slavery & Servitude. Even in the Hollywood version of “The Message”, Bilāl is emphatically called “Black-Bilāl”…Word4Word…that alone should tell you something.

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The Pseudo-Narrative of Bilāl is directly paralleled with the Pseudo-Narrative of Sally Hemings: the only Reasons why either of them are ethno-historically falsely-portrayed as being “Black” is because they were both Born-Slaves & both their Mothers were Black (Hammāmah, Betty Hemings: even Betty Hemings herself had a European-Father but cause she was a Slave she was considered “Black”). The Father, Paternal-Grandfather, Paternal Great-Grandfather of Sally Hemings were all White-Men/Slave-Owners. Her Slave-Owner, Thomas Jefferson (who essentially used her as a Sex-Slave) was actually her Brother-In-Law (Jefferson’s Wife, Martha Wayles & Sally Hemings had the same Father: John Wayles).(at-Tabarī; Hayāt-us-Sahābah; Virginia House of Burgesses: British Coastal Colonial Law of Slavery, 1660)

Muslim Matters actually published a Review of the Movie.(https://muslimmatters.org/2018/02/03/5-things-to-know-about-the-movie-before-watching-it-review-of-bilal-a-new-breed-of-hero/) Their Film-Commentary of Bilāl not only reinforces my Point, as per the continuation of a Pseudo-Narrrative, predicated upon al-`Asabiyyah/Xenophobia, but also the Major-Themes of Islām aren’t even highlighted. Once again, the important Narrative of Bilāl has been shamefully compromised, at the expense of wanting to capitalize on “Blackness” being at the forefront of World/US Politics via Libya, Police-Brutality, Racial-Profiling, Human-Trafficking, etc.

Gareth Bryant/2018

Ambitious Aspirations

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Shirley Bishop

Shirley Bishop, a very talented writer, in my opinion, has decided that she will embark upon her own writing project, a poetry book. I was very interested in getting to know more about her project, what inspired her to do so & what she hopes to make of it. Here’s her, in her own words, concerning her drive to become a literary-artist:

Poetry to me is the language of the soul! It can discreetly reveal my deepest secrets, it can make some of my harsh and raw feelings sound so eloquent to others. Poetry doesn’t pacify my curiosity, it embraces it! The beauty of poetry is similar to someone’s smile . A person’s smile can mean so many things, joy, strength, nervousness and fear yet it puts its audience at ease. I realized that poetry was my choice of expression when I was about 11 years old. I come from a family that has immense talent (musically), to where I’ve been influenced by significantly. I’ve always been drawn to words, studied the dictionary for personal enjoyment, since I was 3 and I loved the concept of rhyming. I was so fascinated to see how much power words carry, in terms of affecting a person’s mood: this alone became my addiction to word play! I started writing poetry in junior high school. I’ve written between junior high school and high school 4 books worth of poetry. But, sadly my books have all been damaged beyond repair.

With my new poetry project in the making, I hope to accomplish bringing enlightenment to the public, to see beyond the (typical) stereotypical styles of poetry: poetry is not “boring”, it’s not “roses are red etc” and it does not necessarily reflect thoughts of “loneliness”, “sadness”, “grief” or “despair”. It is not a tool to highlight “bad times”, “regretful moments”, or “negative experiences”; but, rather a versatile form of expression, creativity and eloquence: demonstrating how we all can relate to one another, as human beings. I am excited to infuse my favorite genres of music (dancehall, 90s hip hop/r&b) into my poetry: to give my words some edge, give my readers entertainment that doesn’t need to always be in a form of a “status update”. This book is very important to me because it expresses some of my very personal experiences, it shows my creativity of people’s stories that I wrote which can be related to all, and it speaks on the topic that holds a strong hold to many of us…being judged! This book is my chance to show the world what keeps me smiling, at peace, confident, and full of life: poetry!

If my words can bring encouragement to others to deal with hard situations , empower men and women to both know their worth and reinforce people to put their all into their passions in life , then my mission is accomplished. The effects that I would like my book to have on readers are strength, comfort to know I relate to them, self-love, and most importantly a mental escape. So many times to me it seems like many try and compete with how clever or “deep” they can post a “quote” on social media, which to me are empty words. Empty words I say b/c many do so without knowing the authenticity of the quote or perhaps it’s meaning let alone how can you realistically  apply that quote to your daily life. With my book, it’s pretty straightforward, we all been thru things most won’t dare to speak, and if you keep looking for answers to all of life’s ups and down, when will u take a moment to actually just live life. Nowadays, with immense popularity of social media and increasing expansions of technology and it’s gadgets, most don’t take that old fashioned approach to escaping mentally which is reading a damned good book! I hope my book can bring that groove back of a simple getaway of the harshness reality do bring.

I would say 10% of the book’s content is from my personal experiences, will I tell you which ones? Nope lol gotta keep the suspense going! The remaining 90% content consist of experiences told to me, observed and moments I wished I had in real life. I strongly believe my work will be well received simply b/c it’s raw in feelings of myself and others. I would like my work to define myself as poet with a neo soul attitude, a jazz of feelings of expression and a reader’s jones for more and more til I can’t write no more ! I would like my work to be respected, enjoyed and even used to uplift others. I do see myself going far with writing as it is my sincerest of talents and a form of art I absolutely love to create! I am hopeful to write a collection of poetry and possibly entertain the thought of expanding my work to film. No matter how small or big of the success that my project will receive, my humility will be in tact and to make a difference in someone’s life for the better is my true aim.

Shirley Bishop/2015

For more info. about Shirley Bishop & her Poetry-Book:

srollins1982@gmail.com

http://www.facebook.com/sbishop82

Mister Mildor’s “Wrong Place,Right Time” Photo-Exhibition

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Mister Mildor to Exhibit his Art in a Solo Photo exhibition Show on August 1st, 2015

Alan Mildor
www.mistermildor.com
246 Union Avenue
Brooklyn, New York, 11211
Mobile Phone: 347-721-8760

The Glass House Art Life Lab gallery announces Mister Mildor’s first solo street photography exhibition “Wrong Place,Right Time.” On view August 1st, 2015 this exhibition features 20 photo based works of art that is a compelling glimpse into Mister Mildor’s reality. Controlling what some may say is Urban Disorder in New York City with his photographic techniques, this exhibit will provide a colorful and dynamic view of the people and places that makes New York City’s heartbeat.

Mister Mildor love for his local environment is evident in his work. Mister Mildor confessed “I love photography and videography because it doesn’t only give me the ability to freeze time but it allows people to appreciate the moments in their life, no matter if it’s despairing or delightful. There is always a right time to capture life, even in the darkest of places.”  Mister Mildor has captured life from all boroughs and will continue to capture love, pain, freedom, and all the things associate with living the life of a city dweller. Mister Mildor is beginning to have a constant presence through his art and is starting to shine through photographies meteoric rise into popular culture.

Alan Mildor aka Mister Mildor, is a Brooklyn based photographer and videographer. Alan’s artistry has been commissioned by some of the world’s largest brands and musicians. Mildor’s visual art has been published on Complex Magazine, 2 Dope Boyz, and Rap Radar. He has provided all the visual campaigns for Alife, Hood By Air, Dj Venus, Tisa, Brian Wood, Rich Weirdo Clothing, and for Touro College. Mildor Also created branded video for Clubhouse Barbershop, Vinnies Styles, and Vulkan The Krusader.

About The Glass House Art Life Lab
Glass House is an art-life lab founded by artist Lital Dotan & Eyal Perry, dedicated to hosting artistic practices based on performance, participation and time based art in the domestic sphere, under the motto that  “Art Should Be Experienced in a Place that Allows Staying.” Since it’s relocation to Southside Williamsburg in September 2012, Glass House host performances, screenings, exhibitions, workshops and a residency program all dedicated to promote hosting as artistic discourse.

General Information
Mister Mildor Presents “Wrong Place, Right Time”
Where: The Glass House Art Life Lab
Address: 246 Union Avenue, Brooklyn, NY 11211
(Between Scholes and Meserole)

Nearest Subway: L (Lorimer), G (Broadway), M & J (Hewes)

contact@glasshouseproject.org

www.mistermildor.com

Gareth Bryant vs. Cyrus McGoldrick:

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Author’s-Note:
Every month I’ll be conducting a Poetic-Challenge, challenging various poets, whom I personally know/interact with, just for the sake of sharpening/improving my own poetry, general-goodwill, respect for my fellow “Brethren of the Paper & Pen”, and to just see who from among us has the best “Poetry-Skillz”…Every month, I’ll be picking a brand-new Poetic-Challenger, via Facebook/Twitter, to compete with. This month, it’s Cyrus McGoldrick. Next month, it could very well be anyone of you. So, just be prepared, with some fresh-rhymes.

Topic: Yearning for something More

Gareth Bryant

Gareth Bryant

The Warmth We yearn from one another:

When the blistering Winter descends…
…We can no longer afford to pretend.

We get cold so quickly, it really hurts…
…We pursue warmth which takes work.

We all want the heat of Love, to warm our heart…
…Each of us wants a companion who’ll never part.

But, Life is sometimes a cruel Snow-Storm, covering all in its path, with the crispest & iciest harshness…
…However, we must make a Summer out of every Winter, protecting our hearts from a freezing-tempest.

We mustn’t succumb to the hypothermia of Loneliness…
…We all need someone to keep us from cold distress.

Being close, to the one who you love, is one of the greatest feelings of all…
…So, think about the one who keeps you warm during the heavy Snow-Fall.

Gareth Bryant/2014

Cyrus McGoldrick

Cyrus McGoldrick

ROARS OF THE RESTLESS:
Patterns of romances
low lights
private dances
signature strike timing
slow trances
Recital
thrown lances
light bites
the plight of the banished
without a standard
no understanding
a clan reprimanded
Plans
paths that never intersect
cattle gaining interest
calves that pay the rent
rattlesnakes in nets
Sweat
treasure in bared chests
reflections of red flares
messy confections
bred best
sleds sent
some bent and some went
Guns kept for your protection
legs stretched
rented apartments and tents
learned little and read best
roars of the restless
Wrapped in heavenly blessings
missing senses and tests
my second death
ascension that dents impressions
no bodies left

Cyrus McGoldrick/2014

Amiri Baraka: The Poet who changed the way we rhyme

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Author’s-Note:
This Man, this luminous writer & author, Amiri Baraka, has touched the minds & hearts of so many People, from around the World, through his consciousness, via his writing. Yet, sadly, he has passed-on. However, his impact on the Literary-World, I hope, at least, will long outlive him & be a catalyst to promote the preservation of his memory.

Your Star hasn’t been blown-out:

Although it’s sad to see you gone.
Your writing still makes us whole.

We love & appreciate your contributions to poetic art.
Your diction were as poignant and sharp as any dart.

You were the rebel inside all of us, who stood against opposition via paper and pen.
Whenever you expressed yourself, people all around knew well that you would win.

You always spoke truth to life, in whatever you authored.
You were never at a loss for words, were never cornered.

Although you’ve moved on, beyond this Mundane plane, your name is still in tact & will remain.
You were such an inspiration for literary prowess; the world of writing will not ever be the same.

Not many have ever risen to the levels that you’ve attained.
Regardless of criticism, you carried on, and without shame.

I only hope that I may achieve the same success as someone of your stature.
There can be no doubt: you were definitely a true writing and poetic master.

Gareth Bryant/2014

Theological-Graffiti:

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Let’s have a conversation, about flaggin’ & taggin’.

Let’s talk about reppin’ sects, religious G-Mackin’.

We all wanna belong & be strong, wit a whole team behind us.

We choose between being Muslims, Jews and even Buddhists.

We also pick to conform as Christians, Mormons, Zoroastrians, Hindhus, and the like.

We all want someone to have our backs, to hold us down, to make sure we’re alright.

We use the minds & hearts of people, to write our ideas on.

We do it just make our marks on the World, right or wrong.

But, for every Theological-Tag is a consequence.

We may be guilty, in front of Allah, for nonsense.

We can’t always foresee the damage our taggin’ can actually cause.

If what we tag can’t be removed, it may well cause many to be lost.

So, the next time that you see a wall that you wanna tag, don’t rush to ruin.

There may not be any kind of paint that will erase what you’ve been doin’.

Gareth Bryant/2013

Triangles and Eyes:

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Mahir Mohamed pic

Your eyes behold nothing but corruption and lies
But you don’t have to be wise to
uncover the disguise
Behind the music and rhymes
To them money, power and deception is the prize
But looking fly and getting high isn’t getting you to the seventh sky
It’s easy to deny
But when you understand why
You’ll want to expose the lies
But if you try
And you know too much you’ll have to die
The power they hold is hard to define
Bin Laden is alive
Still believe Muslims were responsible for the attack?
You’re in for a big surprise!
They thought it would hurt us!
They thought it would put us in demise!
But still Islam stands the fastest growing religion on the rise!
All of the living are mourning
He released his jealousy on them
But didn’t the scripture warn them? Delivered the revelations?
and still they’re debating Satan’s use of major corporations
Remember the plantation
Remember the black enslavement
Their forced colonization
on the land of the natives
Those innocent souls debasing
Globe defacing
Hidden persuaders
Ignorance and stupidity we get from the radio stations
Choppers adrift across the Gaza strip
Streets full of mercenaries, waiting for their time to kill
worshipping the pyramid, right there on the dollar bill
Jails filled with Latinos and Blacks
Obama’s planning to build concentration camps
Their puppets encourage sex,drugs,violence Satanism
And what do they do? Put black faces on them
degrading the people of color
“Subliminal Racism”
Want to hear more?
They only patrol the Mexican border
Ladies and gentlemen, get ready for a new world order
Performances getting younger and dresses getting shorter
And you wonder why these pedofiles market your sons and daughters
Get ready for the vice
caused people to believe the death of Jesus Christ
Politicians telling lies, tongues riddled with thorns
And use hand gestures shaped in the form of devil horns
The so called holidays are a hypocrisy!
established to use religion to commit annual robbery.
A holy prophet’s birth being pimped and commercialized
Telling our children lies
You need to make them study Santa Claus’s sick history
Thanksgiving disguised as a feast
The truth is what a teacher cant teach
But i stand behind this podium and preach
violating the law of “freedom of speech”
Only a matter of time when we’ll all be naked and running
They’ve been planning for it, the one-eyed beast is coming

Why is everything about money these days?
If you make enough you’ll finally be able to make it rain!
you see they already controlled your brain
So if you make it, you’ll find yourself going nowhere but insane
You’re nothing but a modern day slave
The only thing lower than your pants are your grades
And ladies, where is the rest of your outfit at?
Does your father know you’re dressed like that?
The puppets wanted fortune and fame
In which they took desperate measures to gain
Towards the youth is where they aim
they attacked
Trying to ruin the Islamic name
Creating propaganda to blame
Bringing millions of believers to shame
Doubt their existence? Check the other side of the one dollar bill, it’ll explain

Mahir Mohamed/2013

The reasons why I write:

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Unfortunately, I was not very vocal or expressive, when I was young. So, there’s a lot of things that I could’ve & should’ve shared with others, that are now lost in time, because I chose not to preserve them literarily. However, after I became a Muslim, and especially within this past decade, I’ve developed the courage, creativity, want, and will to write.

There are so many benefits about writing, not just poems, or novels, or even short stories. It’s just the fact that writing allows me the ability to express myself freely and, the ability to transfer my thoughts & feelings from pen to paper. And, the best thing about that is when you do write, you release stress, you get an opportunity to let out negative energy in a positive & productive way. You also get to challenge the extent of your own intelligence & imagination.

Aside from even those things, which are valid, generally, for myself, writing allows me to explore myself, to dig up old thoughts & feelings that I’ve buried for about ten to twenty years, and am finally willing & able to mentally & emotionally unearth those things. It’s actually very scary, because there are some things, within all Human beings, that we would rather leave  dead & buried. But, then, if you don’t let those things go, through letting them out through some type of channel, they can and will consume you eventually.

Honestly, I find that writing is a great form of self-therapy. I get the chance to reflect upon my own flaws & ills, I get to self-examine my own problems, and I get to learn more about myself, as a Muslim, as a Man, and as a Human.